His latest, “The Last Painting of Sara de Vos,” is another dive into the past, this time focusing on a fictional female painter in the Dutch Golden Age of the 17th century.īut it’s much more than that, seamlessly going back and forth in time, dealing with a 1950s Manhattan lawyer whose family has owned a de Vos painting for centuries as well as an art historian and curator in the 2000s, who in the 1950s forged the de Vos painting.
Austin’s Dominic Smith burst onto the literary scene in 2006 with “The Mercury Visions of Louis Daguerre,” a historical novel about the early days of photography.
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